other titles...

the unthanks

Here's The Tender Coming (2023 reissue)

180g 2lp in gatefold sleeve w/ booklet including new foreword by Nick Hornby - £26.99 | Buy
Originally released and licensed to EMI in 2009, 'Here’s The Tender Coming' is now reissued on RabbleRouser Music.
the unthanks

Sorrows Away

180g 2LP w/laser-etched 4th side - 1 per customer - £22.99 | Buy
Perhaps you heard? The most important and best loved British folk group in the last 20 years have been on the road since mid-April 2022 showcasing Sorrows Away....
the unthanks

Diversions Vol.5 - Live And Unaccompanied

cd - £10.99 | Buy
lp + dvd - £26.99 | Buy
we’re super grateful for this spellbinding live performance from The Unthanks, as they return to their roots by singing brand new songs in unaccompanied h...
the unthanks

Mount The Air

2lp with etched fourth side - £26.99 | Buy
Musically more ambitious than ever, the Mercury nominated Geordies are still a combination of grounded tradition & filmic orchestration, but here they take ...
Lines - Part One: LillianBilocca
  1. Lillian (Prelude)
  2. A Whistling Woman
  3. The Sea Is A Woman
  4. Lonesome Cowboy
  5. Lillian II (The Banqueting Hall Scene)

the unthanks

Lines - Part One: LillianBilocca

RabbleRouser Music
  • cd

    Released: 22nd Feb 2019

    £7.99
    Buy

Lines is a trilogy of song cycles from the adored duo and friends, with very different subjects but each inspired by poetry and focused on a different female perspective - Part One, on Lillian Bilocca, a campaigner for fishermen's rights, has words written by actor Maxine Peake and turned into song by Adrian McNally.

These songs were originally written and performed by The Unthanks in 2017 for the promenade site specific theatre piece ‘The Last Testament Of Lillian Bilocca’. “one can only admire how the Tyneside group have evolved from their English folk roots to become a cultural phenomenon, charting Northumbrian history from navy press gangs to shipbuilding glory and destitution….national treasures? Absolutely.” 4* - the guardian