ORB

Saturated in vintage warmth and depth, ‘Tailem Bend’ showcases ORB’s knack for achieving tuneful hypnosis amidst a dank roominess.

It snakes through big, brash riffing as often as it does sun-dappled psych pop, with memorable rhythmic runs and funky wah licks along the way. As signalled by the cover artwork from Parsnip’s Paris Richens – which depicts either a swan or a fish, depending on how you look at it – ORB have returned with an album that rewards taking it in from multiple angles. There’s plenty of the band we know and love, but there’s also enough of the new to prompt a healthy succession of double takes. There are still the inevitable avalanches of fuzz, but also present now are mellower passages and a renewed focus on rhythm and space.

It’s not a wholesale departure, but it’s distinctive enough to be reflected in the album title itself. The source? Tailem Bend is a quiet town in South Australia whose name was evocative enough to catch the band’s collective eye on tour. Conjuring images for them of some lost prog act, the name reportedly derives from the Ngarrindjeri word “thelim”, referring to a sharp bend in the nearby Murray River. That made it especially suited to a record that packs many dramatic turns of its own – all without breaking its natural flow.