other titles...

In Quiet Moments
  1. Halcyon - Lost Horizons feat. Jack Wolter
  2. I Woke Up With An Open Heart - Lost Horizons. feat. The Hempolics
  3. Grey Tower - Lost Horizons feat. Tim Smith
  4. Linger - Lost Horizons feat. Gemma Dunleavy
  5. One For Regret - Lost Horizons feat. Porridge Radio
  6. Every Beat That Passed - Lost Horizons feat. Kavi Kwai
  7. Nobody Knows My Name - Lost Horizons feat. Cameron Neal Cordelia - Lost Horizons feat. John Grant
  8. In Quiet Moments - Lost Horizons feat. Ural Thomas
  9. Circle - Lost Horizons feat. C Duncan
  10. Unravelling In Slow Motion - Lost Horizons feat. Ren Harvieu
  11. Blue Soul - Lost Horizons feat. Laura Groves
  12. Flutter - Lost Horizons feat. Rosie Blair
  13. Marie - Lost Horizons feat. Marissa Nadler
  14. Heart Of A Hummingbird - Lost Horizons feat. Lily Wolter
  15. This Is The Weather - Lost Horizons feat. Karen Peris

Lost Horizons

In Quiet Moments

bella union
  • 2LP

    Released: 26th Feb 2021

    £23.99
    Buy
  • cd

    Released: 5th Mar 2021

    £10.99
    Buy

With a guestlist as long as two giraffe necks gaffer-taped together (John Grant, Porridge Radio, Marissa Nadler - the list goes on!) the miracle that this enchanting album is so fluent can only be explained by black magic (oh, & the fact that Cocteau’s Simon Raymonde is at the helm!).

 

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá - the Spanish word for “hopefully” or “God willing.” “These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music.... And the hope for another Lost Horizons record!” Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.” Raymonde (bass, guitar, keyboards, production) and Thomas (drums, occasional keys and guitar) forged ahead, creating 16 instrumental tracks to send to prospective guests. When he did, Raymonde suggested a guiding theme for their lyrics: “death and rebirth. Of loved ones, of ideals, at an age when many artists that have inspired us are also dead, and the planet isn’t far behind. But I also said, ‘The most important part is to just do your own thing, and have fun.” And then Covid-19 hit. Half of In Quiet Moments’ lyrics were written after lockdown, but Raymonde saw a silver lining: people were slowing down and taking stock of their lives. Hearing a lyric written by veteran singer Ural Thomas, known as “Portland's Pillar of Soul", who fronts the title track, Raymonde singled out the phrase “in quiet moments” and made it the album title. “It just made sense,” he says. “This moment of contemplation in life is really beautiful. The title also went with the album cover, a photograph by Jacques-Henri Lartigue from the 1940s of a woman and dog on a beach, captured as if in flight.”
 

KEV: Oh how I needed this record when it was released during the depths of a miserable winter lockdown. It shone a beacon of light through the doom and gloom and has been there for me ever since, providing languid, calming vibes whenever things get a bit manic. Despite the huge mix of collaborators, this never feels like a compilation album, the songs being bound together by a pervading sense of peace and reflection and the beautiful instrumentation of Messrs Raymonde and Thomas.