other titles...

CHARLES LLOYD

The Sky Will Still Be There Tomorrow

black 2lp in gatefold sleeve - £37.99 | Buy
cd - £14.99
A majestic body of work that finds one of the most significant musicians of the 20th and 21st centuries still at the peak of his powers, the album presents a co...
CHARLES LLOYD

Trios: Ocean

cd - £13.99 | Buy
Trios: Ocean features guitarist Anthony Wilson and pianist Gerald Clayton.
CHARLES LLOYD

Trios: Chapel

cd - £12.99 | Buy
Charles Lloyd has long been a free spirit, master musician, and visionary.
Trios: Sacred Thread
  1. Desolation Sound
  2. Guman
  3. Nachekita’s Lament
  4. Saraswati
  5. Kuti
  6. Tales of Rumi
  7. The Blessing

CHARLES LLOYD

Trios: Sacred Thread

Blue Note
  • cd

    Released: 25th Nov 2022

    £13.99
    Buy

Charles Lloyd has long been a free spirit, master musician, and visionary.

For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity. As a sound seeker, Lloyd’s restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums each presenting him in a different trio setting—a Trio of Trios. The first, Trios: Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios: Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. The third, Trios: Sacred Thread, with guitarist Julian Lage and percussionist Zakir Hussain. Reflecting on his playing throughout the trio trilogy, Lloyd provides this insight: “You get into the space of nowness, it’s very intoxicating, you want more of it, and you want to find it. In that search for the sound, our individuality merges with the universality and somehow we get met. That nowness is so powerful, it makes the world, as we know it, kind of pale, it’s not so easy to come back to the relative when you’ve been in the absolute.”