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Goodbye, Hotel Arkada

limited indies only "green velvet" lp - £25.99 | Buy
lp - £21.99 | Buy
A triumphant, shimmering, sprawling and enveloping record from the classically trained harpist, where each plucked string sizzles deep into our hearts, filling ...
Julianna Barwick

Healing Is A Miracle

lp + download - £19.99 | Buy
cd - £10.99 | Buy

love record stores edition - lp + 12"x12" prints - £22.99 | Buy
as its title suggests, barwick's angelic vocals and rejuvenating electronic oceans capture the sensation of wounds knitting back together and relief from pa...
Moor Mother

The Great Bailout

LP - £23.99 | Buy
CD - £11.99 | Buy
Camae Ayewa continues to astound with every fresh iteration of her Moor Mother alias and 'The Great Bailout' is no exception - this poetic assemblage in...
Meg Baird & Mary Lattimore

Ghost Forests

limited indies COKE BOTTLE CLEAR lp - £23.99 | Buy
this is a subtly majestic collaboration that pits the purity of harp strings against the grit of guitar’s, baird’s spectral vocals echo through hazy...
Rain on the Road


  1. Stolen Bells
  2. The Poppies, the Wild Mustard, the Blue-Eyed Grass
  3. We Waited for the Bears to Leave
  4. Nest of Earrings
  5. The Top of Thomas Street

Mary Lattimore and Walt McClements

Rain on the Road

thrill jockey
  • limited indies only blue lp + download

    Released: 10th May 2024

  • lp + download

    Released: 10th May 2024

  • CD

    Released: 10th May 2024


The fleet-fingered harpist joined forces with another musician with tricky digits - Walt McClements - to make a sensational blend of accordion and strings that buck and swell like aural murmurations, teetering and tantalising with every flitting note and each swooping resonance.

It's a majestic space to uncoil knotted muscles and lose track of time within. Mary Lattimore and Walt McClements’ debut collaboration blossomed out of their time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements’ apartment during a rainy December in LA, ‘Rain on the Road’ unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on ‘Stolen Bells’ that glisten like lights on wet pavement, or the stately piano figures on ‘The Top of Thomas Street’; their pastoral pieces manage to paint vivid images.