Deliluh

In September of 2019, Deliluh took flight with sights set on new horizons.

A long plotted scheme to uproot the group from their Toronto home and airlift them into the touring bastion of Europe seemed like a pot worth gambling their stack on. Their future in the old world was read with wide-eyed optimism, emboldened by two albums newly waxed and tour dates rolling in. Greener pastures with foreign allure, a promised land chalk full of experimental art and sound, and a plethora of unconventional venues ripe for the picking... it’s open season, what could possibly go wrong? Well, the best laid plans... ‘Amulet’ is the first release since Deliluh’s departure from Toronto, an opening document of the group’s transition to Europe. Mirrored images of the same composition occupy each side; ‘A’ performed by their previous four-piece lineup (Kyle Knapp, Julius Pederson, Erika Wharton, Erik Jude) and ‘B’ by the current active two-piece (Knapp and Pederson). ‘Amulet’ is set to be released July 30th on 10” via Tin Angel Records. The lyrics depict a jewel thief committing crimes with the conviction of a merciless zealot, and justifying them with a spite for the status quo. The protagonist amuses with the threat of being “caught”, a fate seemingly imminent and yet laughable in the crooked context of societal greed. Knapp delivers sharp criticisms with a swagger liberated of fear, imploring us all to root for the anti-hero in a time when danger is craved en masse. The tonal contrasts between both versions testify to the group’s versatility. The A side pulls tension by way of minimalism, leaning into a sinister synth sequence that navigates a pitch dark sonic terrain. Swooning guitar, plucking violin, whispering synths and darting tape effects peek in and out of the periphery, circling with unsettled starkness around Jude’s gloomy bass drone, through until Wharton-Shukster’s string soaring climax.