Jane Weaver

If you’re new here then prepare yourself for warm analogue synths placed against stuttering drums and a twisting folk-rock songbook to create an astonishing masterpiece.

Of course, if you know what Jane can weave, it’ll come as no surprise that she effortlessly ties Axelrod jazz to Broadcast atmospherics and Stereolab grooves. Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet, 'Love In Constant Spectacle' evokes spectacular imagery and distills the artist’s vision in its purest form, elevating her inimitable sound and poetic vision to new heights. Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. 'Love In Constant Spectacle' sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability. The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to heavenly escapism, the free abandon that you’d associate with free jazz and the avant-garde.

But, as determined and visionary as Weaver might be, 'Love In Constant Spectacle' wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio. 'Love In Constant Spectacle' is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.