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Einsturzende Neubauten

ALLES IN ALLEM

cd - £16.99 | Buy
lp - £28.99 | Buy
After more than 12 years, the legendary sonic adventurers have crafted a deep and evocative album of playful innocence and sober experience.

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COIL

Musick To Play In The Dark² (2022 reissue)

limited indies only transparent clear 2lp w/ lunar art etched on d-side + download - £26.99 | Buy
cd - £10.99 | Buy
Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its releas...
swans

The Beggar

limited 2lp + poster + w/ bonus track - £36.99 | Buy
2cd w/ 2 bonus tracks - £14.99 | Buy
Continuing the epic journey of their latter period, this moves from the agoraphobic vistas of ‘Leaving Meaning’ into claustrophobic neurosis but wit...
RAMPEN (APM: ALIEN POP MUSIC)
  1. WIE LANGE NOCH?
  2. IST IST
  3. PESTALOZZI
  4. ES KÖNNTE SEIN
  5. BEFORE I GO
  6. ISSO ISSO
  7. BESSER ISSES
  8. EVERYTHING WILL BE FINE
  9. THE PIT OF LANGUAGE
  10. PLANET UMBRA
  11. TAR & FEATHERS
  12. AUS DEN ZEITEN
  13. ICK WEES NICH (NOCH NICH)
  14. TRILOBITEN
  15. GESUNDBRUNNEN

Einsturzende Neubauten

RAMPEN (APM: ALIEN POP MUSIC)

POTOMAK
  • 140g black 2lp

    Released: 5th Apr 2024

    £41.99
    Buy
  • 2cd

    Released: 5th Apr 2024

    £21.99
    Buy

If there's one thing that you can expect from the Berliners, it's the unexpected - and here they position themselves as Fab Four-esque galactic pop heroes, albeit with their own trademark industrial experimentation, crafting something muscular, exhilarating, and cosmically infectious, that out-manoeuvres pretenders half their age with dextrous ease.

Bravo 'Rampen – apm: alien pop music' is pop music for parallel universes and in-between worlds - for hyperspaces and interzones. It is microcosmic and intergalactic at the same time. It’s a demi-sophisticated claim outside of all physical laws, with which the Einstürzende Neubauten enter a stylistic no man’s land between the past and future. There’s a return to the roots on one side, while a new art form emerges on the other from powerful eruptions of noise encountering cryptic, often fragmentary lyrics: Popular music for aliens and outcasts. Anti- pop has become alien pop. Outlandish. Spun like a cocoon. Unheard. Sonus inauditus. Not unintentionally, the reduced artwork on the cover is reminiscent of the iconic layout on the Beatles’ White Album.

“It’s based on the idea that the Einstürzende Neubauten are just as famous in another solar system as the Beatles are in our world,” Blixa Bargeld said, remarking on the balancing act between avant-garde and tongue-in-cheek, provocation and pop-cultural discontinuity. This approach also directly defines the central theme running like a common thread through all the songs: change, utopian mind games and transience. “On the album, I found a few solutions and formulated things in ways I haven’t formulated them before, because they were never so clear to me. I’m somebody who believes you can attain knowledge through music. It’s always been that way. I follow the conviction I’ll find something in the music that I didn’t know before. And sing some- thing that I didn’t know. Something that turns out to be true. Or, to take this down a notch, something that at least has meaning.” This album represents the next step in the evolution, where the familiar language is finally left behind, opening further, infinite possibilities: alien pop music.