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Various Artists

826853212113

  1. The Primitives - The Ostrich
  2. The Beachnuts - Cycle Annie
  3. The Hi-Lifes - I'm Gonna Fight
  4. The Hi-Lifes - Soul City
  5. Ronnie Dickerson - Oh No Don't Do It
  6. Ronnie Dickerson - Love Can Make You Cry
  7. The Hollywoods - Teardrop in the Sand
  8. The Roughnecks - You're Driving Me Insane
  9. The Primitives - Sneaky Pete
  10. Terry Philips - Wild One
  11. Spongy and the Dolls - Really - Really - Really - Really - Really - Really Love
  12. The Foxes - Soul City
  13. The J Brothers - Ya Running but I'll Getcha
  14. Beverley Ann - We Got Trouble
  15. The All Night Workers - Why Don't You Smile
  16. Jeannie Larimore - Johnny Won't Surf No More
  17. Robertha Williams - Tell Mamma Not to Cry
  18. Robertha Williams - Maybe Tomorrow
  19. Terry Philips - Flowers for the Lady
  20. Terry Philips - This Rose
  21. The Surfsiders - Surfin'
  22. The Surfsiders - Little Deuce Coupe
  23. The Beachnuts - Sad Lonely Orphan Boy
  24. The Beachnuts - I've Got a Tiger in My Tank
  25. Ronnie Dickerson - What About Me

Why Don't You Smile Now: Lou Reed at Pickwick Records 1964 -1965

Various Artists

light in the attic
  • limited indies only remastered oxblood & gold 2LP in gatefold sleeve with 20pp book

    Released: 25th Oct 2024

    £52.99
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  • remastered black 2LP in gatefold sleeve with 20pp book

    Released: 25th Oct 2024

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  • remastered CD with 40pp book

    Released: 25th Oct 2024

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A compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label, Pickwick Records.

The compilation follows on the heels of Lou Reed’s 'Hudson River Wind Meditations' (2023) and Words & Music, May 1965' (2022). One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground.

Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.