other titles...
- The Avalanche
- Dear Mr. Supercomputer
- Adlai Stevenson
- The Vivian Girls Are Visited In The Night By Saint Dargarius And His Squadron Of Benevolent Butterflies
- Chicago (Acoustic Version
- The Henney Buggy Band
- Saul Bellow
- Carlyle Lake
- Springfield, Or Bobby Got A Shadfly Caught In His Hair
- The Mistress Witch From McClure (Or, The Mind That Knows Itself
- Kaskaskia River
- Chicago (Adult Contemporary Easy Listening Version
- Inaugural Pop Music For Jayne Margaret Byrne
- No Man’s Land
- The Palm Sunday Tornado Hits Crystal Lake
- The PickUp
- The Perpetual Self, Or “What Would Saul Alinsky Do?”
- For Clyde Tombaugh
- Chicago (Multiple Personality Disorder Version
- Pittsfield
- The Undivided Self (For Eppie And Popo
Sufjan Stevens
The Avalanche (2025 Reissue)
Asthmatic Kitty Records
The little secret behind Sufjan Steven’s acclaimed 'Illinois' is that it was originally conceived as a double album, culminating in a musical collage of nearly 50 songs.
But, as the project began to develop into an unwieldy epic, common sense weighed in—as did the opinions of others—and the project was cut in half. But, as 2005 came to a close, Sufjan returned to the remaining songs on his 8-track. What he uncovered went beyond the merits of nostalgia.
Sufjan gleaned 21 tracks from remaining material; some songs were in finished form, while others were merely outlines. Most of the material required substantial editing, new arrangements or vocals, and much of the work was done at the end of 2005 or in January the following year. As the title song “The Avalanche” bemuses, "I call you once my friends,” Sufjan took in the odd musical misfits and gathered them together like a party of good friends.
“The songs on Avalanche are nearly as good as the ones on Illinois, although with surprising synth bursts and craggy guitar noise that were sandpapered off of its predecessor.” SPIN
“Most of these songs are just as good, if not better, than the ones that actually made the cut.” E Online
“All the songs here are fully realised and often the equal of those on their parent album.” Observer