other titles...
- Smile
- Always Here Never There
- Behind My Mouth
- HaHa
- Pulp
- Beat
- Everything
- Call An Angel
- Birds Flew Here
- Upside Down
Aluminum
Fully Beat
FELTE
Their debut LP overflows with tenured confidence and a singular style that deftly comprises shoegaze, big beat, and jangle pop.
With influences ranging from Orbital, to Wipers, to The Avalanches and Sly and the Family Stone, theirs is a multifaceted take on established forms, fed through fuzz and led by honeyed, male-female vocal harmonies from Bay Area post-punk veterans Marc Leyda (of Wild Moth) and Ryann Gonsalves (of Torrey). “Smile” begins with deceptive sparseness, adding neon swirls of stacked tremolo over a mesmerizing lyrical refrain, and hinting at the dynamism to come with understated grace and grit. “Always Here, Never There” is Fully Beat’s first pure hit of melodic pop: its liquid bass groove winds beneath a melancholy-sweet synth hook and Leyda’s plaintive vocals, while drummer Chris Natividad’s deep, pillowy snare and propulsive style maintain a driving pace. Lead single, “Behind My Mouth”, shifts gears into a big beat shuffle and howl of overdriven guitars, which relent to Gonsalves’ rolling bassline and playful, snarky vocal.
RIYL: My Bloody Valentine, Happy Mondays, 80s underground punk, Primal Scream, Mission of Burma.