Conny Frischauf

Moving between pop and experiment, she embarks on a search for the momentary, the transitions and sonorous threshold spaces, creating a fascinating sound laboratory with "Kenne Keine Töne" that invites us to readjust our listening habits.

Things around us are not what they seem to be. It is in this spirit that the artist guides us into her synaesthetic sound laboratory in which she acousmatically examines worldly phenomena as sonic events and combines them with delicate pop references. Stones, wind, water and other phenomena thus turn into audible miracles. In the sixteen tracks of her latest album, Frischauf is playing with our senses. Field recordings, carefully microphoned percussion instruments, aerophones, clapping hands and cosy synth sounds become finely balanced antagonists on this album, digging deep into our auditory canals. From inside the inner ear, this music tingles and nudges us, brushes against us from the inside, making us want to touch our ears, hold them tight for orientation, and ask ourselves: Is it possible to be on both sides of the auditory funnel at the same time?