Mary Coughlan

Often described as the greatest female vocalist that Ireland has ever produced, Coughlan proudly stands alongside some of the world’s most iconic jazz singers.

She is unique in blending whisky-blurred, smoke-seared, husky notes with the laconic wit of Billie Holiday and Peggy Lee. She draws the line of deep, down and dirty blues singers back to Bessie Smith with the sardonic, bitter-sweet defiance and despair of Edith Piaf. Yet Mary Coughlan delivers it all in a delicious and unapologetic Irish drawl: sceptical, rueful, mournful and melting and ardent for love. Mary Coughlan is one of our greatest singers because over 40 years she has made the most grown-up, uncompromising, wholly personal yet utterly universal music on either side of the Atlantic about what goes on between men and women.

On 'Repeat Rewind', as the title might suggest, we see Mary at perhaps her most open, honest and introspective (‘Repeat Rewind’, ‘I Can Let Go Now’, ‘Really Gone’) – but not at the expense of her trademark humour and astute observations of everything from domesticity (‘Marital Bliss’) and relationships (‘Freefalling feat. Ultan Conlon’) to women’s traditional place in Irish society (‘More Like Brigid’). A cover of The Beach Boys’ ‘God Only Knows’ and a brand new seasonal offering, ‘Tinseltown’ will delight listeners and concert-goers alike, as Mary Coughlan celebrates four decades in music with this accomplished and heartfelt album.