MDOU MOCTAR

A stripped back reimagining of last year's face-melting 'Funeral For Justice' - the amps might be dialled back but the guitar work and traditional instrumentation on display will still tie your mind and soul in knots.

If 'Funeral for Justice' was the sound of outrage, 'Tears of Injustice' is the sound of grief. This album sees 'Funeral for Justice' completely re-recorded and rearranged for acoustic and traditional instruments. It is an evolution of the band’s critically-adored breakout – the meditative mirror-image to the blistering original.

They chose to track 'Tears' sitting together in one room, keeping the session loose, stripped down, and spontaneous. “We didn’t really work on the arrangements prior to going in,” recalls Coltun. “We’d just play, find the feel, and do the song.” Things came together quickly, with principal recording wrapped in only two days. The hypnotic 8-minute take of ‘Imouhar’ is actually two distinct passes through the song performed in quick succession – Moctar didn’t stop playing long enough to split the takes apart.

After a month, the band was able to return home to Niger and, when they did, Coltun gave Madassane a Zoom recorder to take along. The rhythm guitarist used it to record a group of Tuaregs performing call-and-response vocals, which were later added into the final mix.

On 'Funeral for Justice', anger at the plight of Niger and the Tuareg people is plainly expressed in the music’s volume and velocity.

On 'Tears', the songs retain that weight sans amplification. They are steeped in sadness, conveying the grief of a nation locked into a constant churn of poverty, colonial exploitation, and political upheaval. It is Tuareg protest music in raw and essential form. “When Mdou writes the lyrics, he typically writes them with an acoustic guitar. So you’re getting closer to that original moment,” says Coltun. “It retains heaviness, but it’s haunting.”