other titles...

thee oh sees

Floating Coffin (2025 Reissue)

LP - £31.99 | Pre Order
We all know the type: prolific bands that commit every loose thought, stray idea and 90-second song fragment to tape.
thee oh sees

Mutilator Defeated At Last (2025 Reissue)

LP - £31.99 | Buy
Nine muscular tunes primed to pummel.
thee oh sees

Castlemania (Reissue)

very limited purple 2LP - £35.99 | Buy
CD - £13.99 | Buy
San Francisco's incredibly prolific Thee Oh Sees are back with another full-length album of original tracks plus a smattering of covers.
thee oh sees

HELP (2022 repress)

very limited purple / pink swirl lp (350 only) - £24.99
a sound somewhere beyond nostalgia, beyond the garage, beyond the fireside song and supposed goo-rock.
thee oh sees

a weird exits

2lp + etched d-side + download - £29.99 | Buy
spectacular garage psych from John Dwyer’s Thee Oh Sees - the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinh...
Carrion Crawler / The Dream (2025 Repress)
  1. Carrion Crawler
  2. Contraption/Soul Desert
  3. Robber Barons
  4. Chem-Farmer
  5. Opposition
  6. The Dream
  7. Wrong Idea
  8. Crushed Grass
  9. Crack In Your Eye
  10. Heavy Doctor

thee oh sees

Carrion Crawler / The Dream (2025 Repress)

in the red
  • limited clear pink LP

    Released: 21st Feb 2025

    £31.99
    Buy
  • CD

    Released: 7th Mar 2025

    £13.99
    Buy

Thee Oh Sees chase the home-brewed symphonies of Castlemania with the scrappy, high-wire hooks of 'Carrion Crawler / The Dream'.

Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse’s Sacramento studio in June, reflecting the battering-ram bent of the band’s live show better than any bootleg ever could. “As I’m sure most would agree,” explains Dwyer, “Castlemania was more of a vocal tirade. This one’s meant to pummel and throb.” That it does, whether one blasts the slow, speaker-bruising build of “The Dream,” the sunburnt organs and dovetailing guitars of “Crack in Your Eye” or the interstellar instrumental “Chem-Farmer,” a perfect example of what happens when one takes a well-oiled machine—a gang of rabid road warriors, really—and adds a second, groove-locked drum set to the mix. To listen is to realize that Dwyer’s music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that’s more than welcome. It’s downright refreshing, like a slap in the face at 5:00 in the morning. Or, as Dwyer puts it, “You have to leave a mark somehow.”