other titles...

Nick Cave & The Bad Seeds

Wild God

limited clear lp in tip-on sleeve - 1 per customer - £24.99 | Pre Order
limited black lp in tip-on sleeve - £22.99 | Pre Order

cd with 8pp booklet - £11.99 | Pre Order
Across ten tracks, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave&rsquo...
Nick Cave & The Bad Seeds

Ghosteen

gatefold 2lp + download - £24.99 | Buy
2cd - £13.99 | Buy
Having made ‘Skeleton Tree’ our album of the year in 2016, we were aching for a new album from our master.
Nick Cave & The Bad Seeds

Skeleton Tree

cd - £12.99 | Buy
lp - £19.99 | Buy
*** RESIDENT ALBUM OF THE YEAR - 2016 *** 'skeleton tree' is a much more abstract, cerebral experience than anything else in his incomparable catal...
Nick Cave & The Bad Seeds

The Boatman's Call (2015 reissue)

LP - £23.99 | Buy
‘The Boatman’s Call’ is the tenth studio album by Nick Cave & The Bad Seeds, released in 1997.
Nick Cave & The Bad Seeds

No More Shall We Part (2015 reissue)

2LP - £29.99 | Buy
‘No More Shall We Part’ was released in April 2001 and was the eleventh studio record by Nick Cave & The Bad Seeds.
Nick Cave & The Bad Seeds

Let Love in (2015 reissue)

LP - £24.99 | Buy
‘Let Love In’, the eighth studio album by Nick Cave & The Bad Seeds, was originally released in 1994.
Abattoir Blues / The Lyre of Orpheus
  1. Get Ready For Love
  2. Cannibal’s Hymn
  3. Hiding All Away
  4. Messiah Ward
  5. There She Goes, My Beautiful World
  6. Nature Boy
  7. Abattoir Blues
  8. Let The Bells Ring
  9. Fable Of The Brown Ape
  10. The Lyre Of Orpheus
  11. Breathless
  12. Babe, You Turn Me On
  13. Easy Money
  14. Supernaturally
  15. Spell
  16. Carry Me
  17. O Children

Nick Cave & The Bad Seeds

Abattoir Blues / The Lyre of Orpheus

Mute/BMG
  • HEAVYWEIGHT 2LP

    Released: 17th Nov 2014

    £31.99
    Buy

*** RESIDENT ALBUM OF THE YEAR - 2004 ***

two completely different albums packaged as one fantastic collection, recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al).

'Abbatoir Blues', the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the 'Boatman's Call', 'No More Shall We Part' & 'Nocturama' albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment - & taste. Drummer Jim Sclavunos' aggressive, propulsive kit work is the bedrock of this set. It and Mick Harvey's storm-squall guitar playing shake things loose on "Get Ready for Love," which opens the album. As Cave goes right for God in the refrain -- "get ready for love" -- in the maelstrom, a gospel choir roaring "praise Him" responds. His tense, ambivalent obsession with theology is pervasive; he mocks the Western perception of God in the heavens yet seeks the mystery of His nature. That he does so while careening through a wall of noisy rock damage is simply stunning. It leaves the listener revved up and off-center for what comes next. The chorus -- members of the London Community Gospel Choir -- is prevalent on both records; the Bad Seeds' arrangement utilizes them wisely as counterpoint and mirror for Cave's own baritone. "Cannibal's Hymn" begins as a love song musically; it's chocked with Cave's dark wit and irony and ends far more aggressively while retaining its melody. The single, "Nature Boy," finds itself on Scalvunos' big beat. Cave and his piano use love's irony in contrast with cheap innuendo as underlined by the choir in their best soul croon. "Let Them Bells Ring" is a most dignified and emotionally honest tribute to Johnny Cash and the world he witnessed. The Western wrangle of "There She Goes, My Beautiful World" references Morricone's desert cowboy groove against a swirling cacophony of drums, bashing piano, and the chorus swelling on the refrain, while Cave name drops Johnny Thunders and poet Philip Larkin. The pace is fantastic; its drama and musical dynamics are pitched taut, with lulls in all the right places.