other titles...

Can

Live In Aston 1977

limited lp with 4pp booklet - £22.99 | Pre Order
cd with 8pp booklet - £11.99 | Pre Order
This record captures the band’s1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), H...
Can

LIVE IN PARIS 1973

2cd with 12pp booklet - £11.99
limited 2lp with 4pp booklet + download - £26.99
A blistering live performance that encapsulates quite what it was that made CAN such a formidable force - the 13 minute extended wig out of 'Vitamin C' ...
Can

monster movie (2022 reissue)

limited mother sky blue lp + download - 1 per customer - £22.99 | Buy
With the sounds of Jimi Hendrix, Captain Beefheart and The Velvet Underground ringing in their ears, Holger Czukay and Irmin Schmidt left behind their careers i...
Can

LIVE IN BRIGHTON 1975

cd in gatefold sleeve with liner notes by kris needs & rob young - £11.99 | Buy
Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, br...
Can

LIVE IN STUTTGART 1975

2cd - £10.99 | Buy
A snapshot of the Cologne band’s awe-inspiring musical alchemy stretched out for 90 magnificent minutes, reconnecting with the psych-rock ferocity of thei...
soundtracks (2022 reissue)
  1. Deadlock
  2. Tango Whiskyman
  3. Deadlock
  4. Don't Turn The Light On, Leave Me Alone
  5. Soul Desert
  6. Mother Sky
  7. She Brings The Rain

Can

soundtracks (2022 reissue)

Mute
  • limited clear purple lp + download - 1 per customer

    Released: 1st Apr 2022

    £23.99
    Buy

Soundtracks, a compilation of songs CAN had composed for different movies, was released in 1970 before the band started work on their second album.

This record said goodbye to the band's original vocalist Malcolm Mooney, who features on ‘Soul Desert’ and ‘She Brings The Rain’, to be replaced by Japanese singer Damo Suzuki. Bridging the gap between the improvisatory rock jams of their earlier recordings, Monster Movie and Delay 1968, Soundtracks also laid the foundations for their more electronic and experimental sounding work, such as Tago Mago and Ege Bamyasi. “Intricate and subtle” All Music “Often overlooked… A good sampling of their more straightforward experiments” Pitchfork