Divide and Dissolve

Armed with just as much heaving doom wallop and anti-colonial rage as ever before, Takiaya Reed's voluminous waves of monstrous guitar drones just might surprise you with the optimistic glow they radiate through the unquenchable gloom battery.

A big one for head-nodders and fist-pumpers everywhere. The multi-instrumentalist and composer had a vision of a better world, one that gelled seamlessly with the optimism of her take on doom metal: "I saw people committing great acts of harm never being happy, and people committing great acts of love, always being happy," she says. "People are constantly feeding into this genocidal energy, depleting all of these resources in the name of so-called power, just to end up powerless. Whereas people feeding into pathways of love and decolonial energy, honouring loving and benevolent ancestors, experience such a deep sense of fulfilment."

For Takiaya, this is what it means to be "insatiable"; it's the way we choose either a path of destruction or one of compassion, and experience it to its fullest. "The album's title hits on so many levels," she continues. "It's an album about love, and it feels important to tap into that, now more than ever."