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Miles Davis

Miles ’55: The Prestige Recordings

Limited 3LP Boxset - £128.99 | Pre Order
2CD - £18.99 | Pre Order
Miles ’55 brings together 16 tracks recorded by Davis in 1955 at Van Gelder Studio.
Miles Davis

Agharta (50th Anniversary Edition)

Limited Numbered 180g Audiophile Translucent Blue 2LP in Gatefold Sleeve (2000 Only) - £41.99 | Buy
'Agharta' was recorded in the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan.
Miles Davis

Round About Midnight (Repress)

limited 180g blue lp - £14.99 | Buy
180g Black LP in Gatefold Sleeve - £14.99 | Buy
Miles Davis

Kind Of Blue (Repress)

180g Black LP in Gatefold Sleeve - £14.99 | Buy
LP - £14.99 | Buy

Limited Blue LP - £14.99
Miles Davis

Birth Of The Cool (Repress)

Limited White LP - £14.99 | Buy
Four and More (2024 Reissue)

SIDE A
1. So What
2. Walkin'
3. Joshua/Go-Go (Theme and Announcement)

SIDE B
1. Four
2. Seven Steps To Heaven
3. There Is No Greater Love/Go-Go (Theme and Announcement)

Miles Davis

Four and More (2024 Reissue)

music on vinyl
  • 180g Black LP

    Released: 15th Nov 2024

    £28.99
    Buy

Recorded at the same Feb 12, 1964 New York concert that yielded the more balladic album, 'My Funny Valentine', 'Four & More' showcases the Miles Davis quintet at their blistering best.

The great trumpeter and bandleader (1926-1991), and his stellar group, which was less than a year old at the time of this recording, mostly essayed tempos that ranged from Indianapolis 500 to Bonneville Salt Flats. Offering a well-balanced, albeit reconfigured, repertoire featuring the familiar hard-bop strains of “Four” and “Walkin’,” newer, original free bop compositions like “Joshua” and “Seven Steps To Heaven,” and the standard “There Is No Greater Love,” which the ensemble performed relatively infrequently and is the only tune herein not taken at a supersonic pace, the quintet electrified a sold out Philharmonic Hall. Spurred on consistently by the mercurial rhythm section of pianist Herbie Hancock (23 years old at the time), bassist Ron Carter (then 26), and especially by the cross rhythms of 18-year old genius drummer Tony Williams, Davis’ work, particularly in the upper register, was seldom more commanding. As for his front line partner, tenor saxophonist George Coleman, Davis would write in his autobiography that he “played better that night than I ever heard him play.”