Peeping Tom

an utterly unique multi-genre / multi-artist departure from Patton’s more recent noisy output - one that would ultimately have to be classified as a pop record.

A Mike Patton pop record, but a pop record, nonetheless. In keeping with the landmark 1960 psychological horror film that inspired its name, Peeping Tom had its genesis as a modus operandi devoid of physical intimacy. Patton would write songs with a wishlist of theoretical collaborators in mind, then hope for a reply in the form of a finished track. “It’s an exotic way of working for someone accustomed to a band environment," Patton says. "It was charming, really. None of the usual Animal House stuff. Instead of swapping spit and underwear, we were swapping files.” The album also includes contributions from Amon Tobin, Bebel Gilberto, Dub Trio, Kid Koala, Dale Crover, Rahzel and several of Patton’s Bay Area running buddies, such as Dan ‘the Automator’ Nakamura, and Jel, Odd Nosdam and Dose One of hip-hop collective, anticon.