other titles...
- Company (Main Theme)
- A Stroll Among The Tombs
- A Kiss Like Soil Smells After The Rain
- Touched (Main Theme)
- Two Days Until Halloween
- Psychometric Prophecy
- Magic Lantern (Main Theme)
- European Cigarettes
- Sea Legs (Main Theme)
- Flesh And Flies
- Cornflower Eyes
- A Powerful Beast Of The Universe
- Secrets
- Rose Window (Main Theme)
- Cheap Maroon Lipstick
- The Overgrown Church
- Lace And Blood
- A Blank And Staring Eye
- The Final Vision
- Mayfair (main Theme)
- Cape May Tomatoes
- My Body Like Driftwood
- Blooming In The Crevices
- A Feral And Lazy Grin
- Her Voice Was Sonorous And Lovely
Garden Gate
Magic Lantern
Clay pipe music
A collection of melancholy yet hopeful neoclassical library pieces with analogue electronic elements that originally soundtracked Audible Originals’ Strange Company audiobook.
Here, Timmi explains how the project came about: “The first glimmer of Magic Lantern flickered over the kitchen sink, if memory serves. I was cleaning up with a dear friend, author Roan Parrish, and we were discussing how we could collaborate creatively. Our first idea was that she would share prose to inspire my themes, and inversely, I would share a few original themes to inspire her writing. Before we knew it, what started as a handful of stories and songs, damp with soap suds, ended up becoming a fully scored audiobook anthology for Audible Originals called Strange Company.
As a long-time fan of soundtracks and library music, I was thrilled by the opportunity to see just how much emotion I could compress into the brief connecting links that would augment a furtive kiss, a painful psychic vision, or a breeze across the bones of a scorched landscape. Midway through the recording process, my long-term relationship broke down, and Roan let me set up a field studio in her home. I found myself grasping at any beauty I could find in the hope that it would spill into the music. Several themes from an unrealised Garden Gate album about the life of Dion Fortune also found their way in (notably, the title track), and the score became a bit more personal than initially charted. In the doomed outsiders of Roan’s gorgeously creeping prose, it was hard not to see aspects of my own life, and I found catharsis and healing in the creation of the music that soundtracked her characters' lives.”