Ghost Woman

Though some songs seem to almost directly reference certain bands and eras of rock music, none of it is ever pure imitation; Uschenko's melodic sense – at once detached (in a Pavement kind of way) and yearning (the winsome melodies and harmonies of Crosby, Stills, and Nash are summoned more than once) – glues the album together.

Spot-on late-60s-style drum fills on title track could be lifted from any number of tracks on the Nuggets compilation; “Street Meet” betrays an interest in the endless horizon feel of bands like Can and Neu!, and the chiming 12-string guitar sounds pervading the album (see “The End of A Gun”) would be right at home on classic sides by The Byrds, Love, and Jefferson Airplane. The warm, straightforward production – which recalls Safe As Milk-era Captain Beefheart, the first couple Beak albums, or Shel Talmy's 60s productions for The Creation or The Kinks – also knits the whole thing together, and its perfectly tape-saturated, analog sound offers a pleasing counterpoint to today's world of digital recording, plugin effects, and “we'll fix it in post” attitudes.

Uschenko eschews the notion that the band is – at least entirely – a “solo project”, as Ghost Woman's live show is very much a band-centric affair, these days comprised of creative and romantic partner Ille van Dessel (Poolface) at the drums, and longtime hometown co-conspirator Nick Hay handling whatever string-related duties need attending to. Hay also contributes a lead vocal to Anne, If, turning in a performance of the song “Tripped” that treads eerily close to Mark Lanegan levels of weariness, and the record is further bolstered by an appearance from Ryan “Skinny” Dyck's steel guitar on “Lo Extrano”. The songs from Anne, If that have found their way to the stage during this year's plentiful smattering of live dates around Canada and Europe (including a recent string of shows with indie-folk-pop darling Chad Van Gaalen) have already begun to take on new shapes, and the band – in whatever formation it appears – is not to be missed.