Oren Ambarchi, Johan Berthling, Andreas Werliin
Ghosted II
Drag City
An utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed.
Telepathic group-think opens a window to fresh fields of fusion: funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.
'Ghosted II' has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get together — a further recombination of elements, a new expedition through alternative angles... there’s always more, and incredibly, it’s all improvised, with next-to-nothing prepared going in and minimal overdubs after they’ve laid things down. References are shared in shorthand, with just a single word, like “Santana,” or “Police” acting as working titles for certain pieces on this record (have a guess!). It’s a disservice to call them jams: above and beyond the innate feel of the songs, there’s a strong sense of structure, informed by the band’s communal aesthetic, and edified immeasurably by their time spent in concert the last couple years