LYLO

The scottish trio emerge from a six year hiatus with this pristine body of work built on foundations of vulnerability and cinematic pop sensibilities.

Present in the album are topics of emotional communication, melancholy in metropolis and the willingness to (re)connect, which are all explored through a wonky Japanese inspired pop soundscape, with new and obvious nods to R&B soul intertwined with ambient pads. The album is littered with an abundance of influences from musicians and movies alike, stretching from names such as Sade, The Blue Nile, The Pet Shop Boys, Eddie Chacon to The Great Beauty (2013) and Hana-Bi (1997), the latter in which the band would mute and play their songs over each day, “treating the album mixes as a soundtrack”, which in turn, heavily influenced the tracklisting composition. The album includes several features and collaborations from artist friends, with the likes of Cassandra Jenkins (LYLO were Cassandra’s backing band on her last UK/EU album tour), Gerard Black (Babe), Esmé Dee Hand-Halford (The Orielles) and more