other titles...

bill evans trio

Sunday At The Village Vanguard (2024 Reissue)

limited 180g lp + colour 7" - £21.99 | Pre Order
The complete iconic Bill Evans LP, 'Sunday at the Village Vanguard', featuring Scott LaFaro on bass, and Paul Motian on drums.
bill evans trio

Everybody Digs Bill Evans (RSD 24)

Record Store Day 2024 - 180g LP in Tip-On Jacket - £37.99
This limited-edition MONO release of legendary jazz pianist Bill Evans’ 1959 album “Everybody Digs Bill Evans” is available exclusively on 180...
bill evans trio

Sunday at the Village Vanguard (2024 Repress)

Yellow LP - £15.99 | Buy
Recorded at the Village Vanguard club in New York on June 25, 1961, this album comes from the sessions which also produced the album Waltz for Debby (published ...
bill evans trio

Waltz For Debby (2022 reissue)

limited 180g baby pink lp - £14.99 | Buy
Moon Beams (Craft Jazz Essentials series)
  1. RePerson I Knew
  2. Polka Dots And Moonbeams
  3. I Fall In Love Too Easily
  4. Stairway To The Stars
  5. If You Could See Me Now
  6. It Might As Well Be Spring
  7. In Love In Vain
  8. Very Early

bill evans trio

Moon Beams (Craft Jazz Essentials series)

craft recordings
  • limited indies only Black LP

    Released: 8th Dec 2023

    £27.99
    out of stock

Recorded in New York City over the course of three sessions in May and June of 1962, 'Moon Beams' is the first studio recording by the Bill Evans Trio following the sudden accidental death of bassist Scott LaFaro the year before.

Chuck Israels replaces LaFaro, playing more of an accompanist’s role than was Scott’s style, and Paul Motian resumes his drumming duties with the trio. This lineup produced material for two albums that would be amongst Evans’s most popular. Moonbeams includes ballads from the ’62 sessions, which also yielded the more upbeat How My Heart Sings that same year. Moonbeams captures some of Evans’s most introspective playing, his sense of loss evident but soothed by Israels’s empathetic performances. Evans also expresses his lyricism underlaid with rhythmic firmness, even in the extraordinarily slow "Love in Vain."