Cassie Kinoshi's seed.

Striking upon first listen and even richer on repeat visits, ‘Gratitude’ scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and Carla Bley.

Some know Kinoshi from her work as a former member of Kokoroko. And even beyond her work as leader of seed (including Driftglass, the band's critically-lauded 2019 debut on jazz re:freshed). Her compositional résumé extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display here, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes.