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Daniel Rachel

Too Much Too Young: The 2 Tone Records Story

Limited *Signed* paperback book - £12.99 | Buy
paperback book - £12.99 | Buy
A SUNDAY TIMES MUSIC BOOK OF THE YEAR 2023#2 UNCUT BOOK OF THE YEAR 2023A RESIDENT BOOK OF THE YEAR 2023In 1979, 2 Tone exploded into the national consciousness...
Daniel Rachel

Too Much Too Young: The 2 Tone Records Story Rude Boys, Racism and the Soundtrack of a Generation

hardback book - £25.00 | Buy
RECORD SHOPs EXCLUSIVE *SIGNED* hardback book w/ 4 postcards - £25.00
For such a massive and influential label and genre, it’s astonishing that it’s taken this long to get a brilliantly encyclopaedic and comprehensive ...
This Ain't Rock 'n' Roll: Pop Music, the Swastika and the Third Reich

Daniel Rachel

This Ain't Rock 'n' Roll: Pop Music, the Swastika and the Third Reich

White Rabbit
  • Limited *Signed* Hardback book (pre-order)

    Expected Release: 30th Oct 2025

    £22.00
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  • Standard Unsigned Hardback Book (pre-order)

    Expected Release: 30th Oct 2025

    £22.00
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A shocking and absorbing chronological account of pop music's complicated history with fascism and the imagery surrounding it.

WITH AN INTRODUCTION BY BILLY BRAGG Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theatre of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria and even ideology of Nazism. Whether shock factor, stupidity, or crass attempt at subversion, rock 'n' roll has indulged these associations in a way not accepted by any other artform. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticised perversions of a fascist regime? In This Ain't Rock 'n' Roll, award-winning music historian Daniel Rachel navigates these turbulent waters with care, asking us to look anew at the artists that have defined us, inspired us and given us joy - and consider why so many have been drawn to the imagery of a movement responsible for the twentieth century's worst atrocities. Alongside a sensitive history of the Holocaust and an examination of the place it holds in our cultural consciousness, Rachel asks essential questions of actions often overlooked or underplayed, whilst neither casting sweeping judgement nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll and sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twentyfirst) century history as it defines us today.