other titles...
- Paul Freeman - Don't Give Up
- The Upsetters - Don't Give Up Version
- Donald Smythe - Where Love Goes
- The Hurricanes - You Can Run
- David Isaacs - Just Enough
- The Untouchables - Can't Reach You
- Mahalia Saunders - Right On The Tip Of My Tongue
- The Upsetters - Right On The Tip Version
- Max Romeo - Ginalship
- The Upsetters - Ginalship Version
- Hortense Ellis - Piece Of My Heart
- The Upsetters - Piece Of My Heart Version
- Danny & The Flames - Zion
- The Adis Ababians - Zion Version
- Mahalia Saunders - Suspicious Minds
- Junior Byles - Beat Down Babylon
- The Upsetters - Ital Version
- Dennis Alcapone - Alpha and Omega
- Winston Wright - Example Part 1
- The
- rd &
- th Generation - Example Part 2
- Lloyd Parks - Mighty Cloud Of Joy
- The Upsetters - Mighty Cloud Version
- Lee Perry - Inna Iwah
- The Upsetters - Inna Iwah Version
- Shenley Duffus – To Be A Lover
- The Upsetters - I Forgot To Remember
- Dennis Alcapone - Africa Stand
- The Upsetters - Version 6
- Junior Byles - Poor Chubby
- The Carltons - Better Days
- Busty Brown - My Girl
- Junior Byles - Come Again
- The Hurricanes - Walking The Street
- The Bleechers - Jump And Rail
- The Viceroys - Come On Over
- The Bleechers - Trying My Faith
- The Viceroys - Fancy Clothes
- The Righteous Flames - One Love One Heart
- U Roy - Rhythm Land
- The Upsetters - King Alpha
- Shenley Duffus - Bet You Don't Know
- The Upsetters - Ring Of Fire
Lee ‘Scratch’ Perry Presents: Better Times - The Jamaican Upsetter Singles 1971 - Chapter II
Various Artists
DR BIRD
As a stand-alone compilation or an accompaniment set to previous Doctor Bird anthologies of Perry’s Jamaican singles, ‘Better Days’ is a must for any serious fan of his always compelling work, as well as all enthusiasts of classic reggae sounds.
By the summer of 1971, Lee ‘Scratch’ Perry was widely recognised as Jamaica’s most creative music-maker. Since launching his career as an independent producer in 1968, his experimentations with sound and style had resulted in some of the most exciting and popular works to see issue during reggae’s formative years. Now, primarily employing one of the island’s most accomplished band, The Now Generation as his regular session crew, the sound of Perry’s output from the latter half of 1971 contrasted strongly with the more rugged style the epitomised many of his earlier productions. Otherwise, however, his general approach to music-making remained unaltered and during this six-month period, he released a series of popular singles by some of Kingston’s finest, performing a variety of compositions that ranged from covers of soul and pop songs to original early roots material.