Tashi Wada

Written and recorded over a period that encompassed the death of his father and the birth of his daughter, the album sees Wada reflecting inward to explore broad narratives being alive, mortality, finding one’s place in the world—through new modes of ecstatic, song-based expression.

While the denser forms, stark contrasts, and overt surreality may carry a different weight than Wada’s earlier work, which elicited perceptual effects with minimal means, the heart of What Is Not Strange? is still in experimentation and unforeseen outcomes. Wada refers to What Is Not Strange? as dream music, inhabiting “emotional states that are difficult to pinpoint” and “shapeshifting from moment to moment.” The search for innate truths by way of experiential knowledge of the self was influenced by Wada’s immersion in the writings of the American Surrealist poet Philip Lamantia. In addition to titling the album after a poem by Lamantia, Wada was inspired by the visionary poet’s belief that the secrets of the world lie within us, as we are a reflection of that very same world. And yet a basic premise of the album is the underlying feeling that there is no “there” there. Even the ground under our feet is uncertain. This seeming interiority allows the ethos and music of What Is Not Strange? to defy easy categorization, unfurling like a vision of the past, present, and future.