moreish idols

“All In The Game” is filled with Dan Carey’s eccentric production ideas, largely inspired by the concept of time.

For the title-track, Carey asked Humphreys to play the same saxophone part at different tempos, recording onto tape which was itself moving at different speeds. He also suggested splitting one of the demo tracks in half, with the first half played as the opening track “Ambergrin”, and the second as the slower, less saturated outro “Time’s Wasting”: designed to sound like a memory of the former. A nod to their debut EP, “Float”, which can be played on a continuous loop – the return of the track in this more ethereal, ghostly form captures how ideas, stories and observations are changed by the process of remembering.