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The Beatles

Saturday Club 24th August 1963 EP (2025 Reissue)

7" - £11.99 | Pre Order
During a six-night run at the Gaumont Cinema in Bournemouth, the group managed to nip into London for a Saturday Club appearance on August 24th.
The Beatles

The Last Radio Show 1965 EP (2025 Reissue)

7" - £11.99 | Pre Order
The Beatles cut nearly 300 songs for the BBC, the vast majority during 1963 when they were recording shows on an almost weekly basis.
The Beatles

Saturday Club 7th January 1964 EP (2025 Reissue)

7" - £11.99 | Pre Order
On January 7th 1964, the Beatles took time out from their 16-night run at the Finsbury Park Astoria to record their eighth appearance on BBC radio’s long-runn...
The Beatles

The Decca Tapes (Repress)

180g Black LP in Gatefold Sleeve - £14.99 | Buy
Limited Clear LP - £14.99
The Beatles

1958-1962 (Repress)

Limited Red LP - £14.99 | Buy
The Beatles

Saturday Club 31st March 1964 (pt. 2)

7" EP - £11.99 | Buy
The Saturday Club that the Beatles recorded at the Playhouse Theatre on the evening of March 31st 1964 was transmitted four days later on April 4th.
Live From Adelaide 1964
  1. I Saw Her Standing There
  2. I Want To Hold Your Hand
  3. All My Loving
  4. She Loves You
  5. Till There Was You
  6. Roll Over Beethoven
  7. Can't Buy Me Love
  8. This Boy
  9. Twist And Shout
  10. Long Tall Sally
  11. Adelaide Press Conference
  12. Can't Buy Me Love-Paul+
  13. This Boy-John (with Paul and George)+
  14. I Saw Her Standing There-Sydney Newsreel*
  15. You Can't Do That-Sydney Newsreel*
  16. I Saw Her Standing There-Jimmy Nicol mix

The Beatles

Live From Adelaide 1964

1960s Records
  • LP

    Released: 16th May 2025

    £21.99
    Buy

The group played two sets on two consecutive nights at the venue, performing the same ten songs in each show.

300,000 people lined the 10-mile route between Adelaide Airport and the city centre in the hope of seeing them pass by. Paul recalled: ‘It was like a heroes' welcome…We came in from the airport – it was the same in Liverpool for the première of a A Hard Day's Night, with the whole city centre full of people – and the crowds were lining the route and we were giving them the thumbs up.’

The capacity of the Centennial Hall was 3,000 but there were over 50,000 applications for seats. The support acts were Sounds Incorporated, Johnny Devlin, Johnny Chester and The Phantoms. Jimmy Nicol had been lined up as the stand-in drummer because of Ringo’s sudden attack of tonsilitis, He was a well-respected session player and had accompanied such artists as Joe Brown, Billy Fury and Georgie Fame. Some years later, Nicol spoke about the experience: ‘Standing in for Ringo was the worst thing that ever happened to me’ and less than a year later, Jimmy was declared bankrupt with debts of over £4,000. He reportedly inspired the Sgt. Pepper’s song Getting Better. The boys kept asking him how it was all going, to which he invariably replied “It’s getting better.”

The 2SM engineers get a good sound balance after the end of I Saw Her Standing There. From the moment they start to play I Want To Hold Your Hand, the guitars and vocals are crystal clear. Unfortunately for Jimmy Nicol fans, there was no microphone on the drums. But this does give us a marvellous opportunity to assess the how the Beatles might have sounded as a three-piece. Luckily, there must have been excellent stage monitors allowing the band to hear themselves above the screaming, because the harmonies are spot on and George’s guitar playing is faultless. (Recorded in Adelaide and broadcast by 2SM on June 12th 1964, except* recorded in Sydney on June 18th and + recorded in Melbourne June 16th).