Brigid Mae Power

devastatingly atmospheric– power’s take on folk music combines the floating, ethereal quality of julie byrne and Karen Dalton with immersive, all consuming harmonium drone; this is an album to drown in.

despite her apparent aversion to chorus verse structure, ‘the two worlds’ manages to be anything but formless; think Joanna newsom level of song structure, with themes and voices drifting in and out of focus. it’s an enormously accomplished sound, one that takes a few listens to sink into but once you’re there you’re trapped forever. “she writes songs that’re structured like poems and delivered by prayers, with the words blurring hazily into the melodies” – 8/10, uncut